Friday, September 30, 2011
CBS Films In Deal For Martin McDonaghs Seven Psychopaths With Colin Farrell, Mike Rockwell And Chris Walken
EXCLUSIVE: CBS Films is settling to co-finance Seven Psychopaths, the following film by In Bruges author/director Martin McDonagh. CBS Films will distribute the film within the U . s . States. The film reunites McDonagh together with his In Bruges star Colin Farrell, who plays a film writer who struggles to obtain the handle on his script, known as Seven Psychopaths. He will get attracted in to the dognapping escapes of his buddies (performed by Rockwell and Walken). When the beloved Shih Tzu possessed with a psychopathic gangster gets lost, the film writer finds themself fueled with the drama he needs for his script, if he is able to stay alive lengthy enough to create everything lower. The film’s created by Graham Broadbent and Peter Czernin, with Tessa Ross set as executive producer. CBS Films executive v . p . Scott Shooman will oversee it if this shoots in La this fall. CBS Films, whose leader/Boss Amy Baer just completed her exit to create for the organization beginning at the end of October, makes a powerful effort under COO Wolfgang Hammer to supplement its home-grown pictures with films which are acquired either finished or at script stage. CBS Films started its purchases uptick using the Auto technician, and lately made the large deal from the 2011 Toronto Film Festival obtaining Fish Fishing within the Yemen for north of $5 million. CBS Films also designed a script stage purchase of the Colin Firth-Cameron Diaz-starrer Gambit, which Michael Hoffman directed from the script by Joel and Ethan Coen.
Thursday, September 29, 2011
Suburgatory Suburgatory scared up 9.81 million souls, based on preliminary Nielsen info. The brand new ABC sitcom at 8:30/7:30c snapped up a 3.3 rating among 18-to-49-year-olds, marking a 27 percent improvement over last year's tenant of times slot, Better Along With You. The comedy, starring Jane Levy and Jeremy Sisto, follows The Center, that was lower to eight.55 million from last week's 9.35 million. Similarly, the majority of Wednesday's rankings were less than a week ago, though to different levels. Read our recap from the X Factor The X Factor, which opened up to some 12.14 million audiences along with a 4.2 demo rating the other day, cut back 11.51 million and three.9 - lower 11 percent - because it filled both hrs on Fox. But CBS eked out a victory for that evening, calculating 11.58 million audiences using its selection of Survivor: South Off-shore, (10.46 million), Criminal Minds (12.62 million) and CSI: Crime Scene Analysis (11.64 million) - the final two winning their particular time slots at 9/8c and 10/9c. Also at 8/7, NBC's Up Through The Night fell to five.34 million in the third week and Free Agents furthered its bid to become the very first show axed with only 3.11 million. The CW's H8R needed to love its uptick in audiences to at least one.43 million. Fall Preview: Get scoop in your favorite coming back shows Emmy-winning comedy Modern Family received probably the most audiences in prime time's middle hour (13.24 million audiences), and also the return of Happy Being that adopted on ABC published a set high with 7.38 million against Minds, and 2 implies that loved just a little development in audience -- NBC's Harry's Law (7.44 million) and America's Next Top Model around the CW (1.71 million). Within the final prime-time hour, ABC's Revenge fell to eight.55 million (versus. 10.15 million because of its premiere), and Law & Order: Special Sufferers Unit snared 7.14 million (in comparison with 7.60 million for last week's thirteenth season premiere).
Wednesday, September 28, 2011
As Travolta Qantas Video, Robert Forester, Pam Grier and Michael Parks can attest, Quentin Tarantino loves giving forgotten stars large comebacks. Which explains why this latest bit of casting news for Tarantino's approaching 'Django Unchained' should have nostalgists quite excited: Variety reviews that Dennis Christopher ('Breaking Away,' 'Chariots of Fire') is at discussions to co-star alongside Leonardo DiCaprio, Jamie Foxx, Samuel L. Jackson, Christophe Waltz and Gerald McRaney inside the new film. Christopher would play in the lawyer for DiCaprio's villainous slave owner, Calvin Candie. Unsure yet on other casting options, but fingers joined the guy who carried out D'Annunzio in 'Caddyshack' will receive a telephone call. [Variety]
Dane Prepare will NBC to headline their very own network comedy series. Among interest from multiple systems, the actor-comedian has signed a development deal with NBC for just about any half-hour project specific for next fall. Prepare will star inside the comedy and convey through his SUperFInger Entertainment banner. Prepare might be the 2nd top stand-up comedian with cable tv roots to develop and star in the comedy for NBC eyed for next season, as well as Sarah Silverman. NBC also provides a completely new newcomer comedy created by/starring comedian Whitney Cummings. Prepare most recently guest starred round the Foreign exchange comedy Louie lately in the much-spoken-about episode where he and series star Louis CK offer relaxation the so-referred to as joke-stealing debate. Because they has largely continued to be from broadcast TV to date, Prepare’s first screen credit will be a recurring role round the short-were living ABC comedy series Maybe This Time Around Around some 15 years back. Prepare includes an effective stand-up career: He's offered out arena venues for instance Madison Square Garden and Staples Center, released several multi-platinum comedy albums and Digital video disks and starred in the slew of cable special deals. Round the feature side, UTA-repped Prepare will next be viewed in Solutions to Nothing, Detention and Guns, Women & Gambling.
NEW You'll be able to (AP) Autographs from stage stars, show tickets and posters and also the chance to win walk-on roles in a few of Broadway's finest musicals aided generate almost $550,000 for charitable organization within the 25th-annual Broadway Flea Market & Grand Auction.Bidders on Sunday clicked on up memorabilia then one-of-a-kind items from more than twelve Broadway shows, including "Sister Act," ''Spider-Guy: Turn Off the Dark," ''Priscilla Full in the Desert: The Musical," ''Billy Elliot" and "Anything Goes."The whole elevated was $547,658 or $70,000 greater than a year ago. The all-day event happened in Occasions Square to learn Broadway Cares/Equity Fights Helps.The most effective-selling item on auction will be a visit to "The Phantom in the Opera," plus a walk-on role getting an outfit and makeup. A few each won with bids of $10,500.Copyright 2011 Connected Press. All rights reserved. These elements is probably not launched, broadcast, rewritten, or redistributed.
Monday, September 26, 2011
EXCLUSIVE: Fox has bought Pandemic, an untitled medical thriller drama from Mystic Pizza author Amy Holden Johnson, 3 Arts Entertainment and twentieth century Fox TV. WME-repped Johnson is writing the project, which follows an epidemiologist who's facing difficult adversaries because he fights to prevent a catastrophic pandemic. She'll executive produce with 3 Arts’ partner Erwin Stoff, that has been leading a push within the drama area for that management/production company this year. Stoff is executive creating for 3 Arts two other hourlong projects, a cop drama with magical components from Michael Eco-friendly and 20th TV, which lately arrived a put pilot commitment at ABC, and CIA drama Secret America at NBC from author Peter Landesman, Imagine TV and 20th TV. Meanwhile, ABC has bought Puzzle Master, from ABC Galleries and studio-based Sander/Moses Prods. Compiled by Gwendolyn Parker (With no Trace), the project focuses on a cool puzzle master who uses her unique skill and distinctive method of perceiving the world to assist the Bay Area Bay Areas Special Research Division solve crimes. The project is inspired through the work of prolific puzzle and video game designer Scott Kim. Paradigm-repped Parker and UTA-repped Ian Sander and Kim Moses will executive produce. This is actually the second project at ABC this year for Ghost Whisperer executive producers Sander and Moses, who also provide the circus-designed Berzerkus within the works in the network.
Friday, September 16, 2011
Jerry O'Connell could make his Broadway debut in "Seminar," the completely new follow Theresa Rebeck toplined by Alan Rickman. O'Connell may have among several aspirant authors who subscribe to any seminar getting a lit giant, carried out by Rickman. Lily Rabe, Hamish Linklater as well as the lately added Hettienne Park ("The Intelligent Homosexual's Self-help guide to Capitalism and Socialism getting a Response to the Scriptures") offer reserved roles as ambitious scribes inside the class. O'Connell ("Jerry Maguire," "Crossing Jordan") recently toplined CBS skein "The Defenders," which wasn't acquired for just about any second season. Mike Gold helms "Seminar." Primary Stem production reps the earth preem in the comedy by Rebeck, who's also in the office concerning the approaching NBC skein "Smash." Jeffrey Finn, Jill Furman, John N. Hart Junior., Patrick Milling Cruz and Roy Furman in the creating team. "Seminar" begins previews March. 27 before a November. 20 opening within the Golden Theater. Contact Gordon Cox at firstname.lastname@example.org
The initial trailer for 13 remains released on the web and the thriller according to an undercover wager on Russian roulette where wealthy males gamble concerning the lives of others seems to become tense as that sounds.The recommendations are pretty easy: each player loads the weapon and spins the cylinder, then places the gun in the mind in the guy alongside these questions cricle and fires about the signal.13 is founded on the 2005 film 13 Tzameti, with author and director Géla Babluani once again behind the digital camera.Jer Statham, Mike Riley, Alexander Skarsgård, Mickey Rourke, Ray Winstone, 50 Cent and Michael 'I'm in my way through the moment' Shannon are most likely the cast.Plus it is the Stath wearing the kind of hat which will enable you to get places inside the Adjustment Bureau. Also do you want?
Wednesday, September 14, 2011
Reliable J-horror helmer Takashi Shimizu ("The Grudge") makes his second foray into stereoscopic scares, after "The Shock Labyrinth 3d,Inch with "Tormented," a spooktacular that could be more risible, given its premise, whether or not this weren't carried this out genuinely. Turning around a disturbed femme and her little brother getting freaked out by someone in the rabbit suit who haunts their dreams, pic's professional usage of 3d is further enhanced by stylish lensing from noted d.p. Chris Doyle. "Tormented" should trouble the sleep from the good chunk of the local market, but may face challenges offshore given waning fascination with the 3 dimensional format. Inside the playground from the contempo Tokyo, japan, japan school, a young boy named Daigo (Takeru Shibuya) finds an hurt rabbit and kills it getting a rock to put it of the misery, much for the distress of his mute half-sister Kiriko (Hikari Mitsushima), who works at Daigo's school just like a librarian. In your house, where Daigo and Kiriko accept their constantly distracted father (Teruyuki Kagawa), a children's book illustrator, Daigo starts getting bad dreams or nightmares or bad dreams in which a stuffed rabbit toy he and Kiriko has becomes existence-sized (basically someone in the plush-fabric rabbit suit) and chases him around a creepy, abandoned amusement park. Kiriko tries to save him, but is simply as frightened as Daigo, specially when she starts doing late stepmother Kyoko (Tamaki Ogawa ) inside the dreamscape too. The kids' father seems oddly enough dismissive of Kiriko's claims that her little brother is within danger or that Kyoko has came back within the dead, plus it progressively becomes apparent that doesn't all can be as it seems using this highly dysfunctional family. Soon the dreams evolve into flashbacks that explain just why Kiriko increased being mute which is so frightened of the rabbit toy, which just won't stop coming back despite her efforts to get rid of it. Script credited to Sotaro Hayashi, Daisuke Hosaka and Shimizu lacks the extra layers of meaning and and therefore obtain the best kind of horror photos so effective, while genre fans might feel slightly frustrated the pic never makes apparent when the family's travails are mental or supernatural in origin. Nevertheless, just like a thrill ride, "Tormented" works perfectly adequately, applying all the usual trade secrets -- shock cuts, sudden noises, apparently innocent things developing a sinister existence that goes for them -- to startle and disturb auds. Pic's last large scare inside the attic reps a masterclass in suspenseful editing and effects. Doyle's lensing here's more perfunctory in comparison to inspired work he's most broadly noted for, for instance his collaborations with Wong Kar-wai together with other Asian company company directors, but you will discover enough strikingly off-kilter plans and lurid color tones to mark the task as his. Pic exploits 3d options cannily without embracing lunging-knife cliches, reaching our prime-water mark getting a sequence that tips its hat to Robert Siodmak's "The Spiral Suitcase" (1945), another film of a unhappy mute femme. Contact the number newsroom at email@example.com
James Marsden is definitely an acting chameleon. Horror, romantic comedies, musicals, dramas, super hero fare and raunchy romps... the Oklahoma native has been doing everything, on the way creating a status among Hollywood's best men. Now, Marsden is switching gears having a remake of 1971's mental thriller, 'Straw Dogs,' which opens Friday. Not for that squeamish, the film finds his character, David, instructed to take extreme measures when he and the wife are extremely terrorized by local people. Marsden spoke solely with Moviefone about 'Straw Dogs,' remaking classic movies and becoming aggressive on the watch's screen. Hollywood likes dusting off old gems and providing them with a brand new coat of fresh paint. Inside your opinion, what comprises a great remake? Putting aside the very fact you do a remake or otherwise, you just need to set your sights on creating a good film. If one makes a great film, all is pardoned. It is dependent about the movie, I suppose. If you're remaking Gone using the Wind, you've your projects eliminate for you personally. What's most significant may be the balance of familiarity in the original, some elements which are natural within the original film that should be there, but additionally placing a modern spin onto it. When you signed on, could it have been intimidating to take on Dustin Hoffman's footwear? This is where I really hope the 4 decades will probably be on my small side. With that, I am talking about time distinction between the very first film and that one. He's pitch-perfect for the reason that movie. This is an acting miracle what he accomplished. Mike Peckinpah seen him because the villain from the piece. David may be the one coming and creating the strain, creating the conflict and stirring in the pot, revealing and being a little of the elitist. He was arrogant and condescending to his wife, yet through the finish from the film, they have everybody within their seats on his side and entertaining him on. It had been a little daunting dealing with a performance that can't be enhanced on. Rather than worrying about this, I figured I'd simply do my factor. I viewed the initial a couple of occasions before and throughout the shoot to make certain I wasn't doing precisely what he did. Did your director, Fishing rod Lurie, echo individuals same sentiments or did he permit you to uncover David by yourself? I believe he permitted me to obtain the character by myself. There have been hints of David being the villain or disrespectful towards the local people, like walking out throughout the chapel sequence. Everyone is looking for their value within this movie. David is attempting to create a script and participate in these males who're completely different than him. It exposes part of him he might feel insecure about. The truth is he isn't the alpha male and does not believe for the reason that structure. There is a smaller amount of David as being a villain within this movie and much more about coping with this group of concepts and coping with conflict inside a more aged, civilized way. I admire him for your, however it only goes to date before he's forced right into a corner and needs to fight. Referring to that, the film's poster discusses breaking points and you've got a wife and youngsters in tangible existence. For the reason that respect, could it be frightening engaging in David's mindset and considering what may potentially push you to definitely your limit? Yeah, motherhood is the one thing that may push you there. Nobody really wants to visit. You will find couple of things in existence that will push me to kill, but that is among them. To safeguard your loved ones. I am not really a believer that the animal is available within me, but when necessary, if they're in risk or threatened, then certainly. 'Straw Dogs' features some questionable moments. Could it have been vital that you keep individuals intact or would the film still have a similar impact when they were watered lower? I do not think you may make 'Straw Dogs' and never have individuals elements in position. That defines the film. Nevertheless, you will find strongly different sights on a few of the styles from the movie. In lots of ways, this can be a kick-ass feminist movie. Our leading actress isn't just seen like a sexual object. She's fierce, intense and strong. If you are planning to remake Hay Dogs, you need the balls to get it done. Did getting back together with your 'Superman Returns' co-star, Kate Bosworth, allow it to be any simpler to visit individuals dark places? Yes, which was a primary reason I arrived at to her before they began casting Amy. We have been pretty close, very good buddies, and that i understood it not just needed someone who was brave enough to defend myself against what this role required, but who had the chops to get it done. There's discuss sequels for many of the films -- 'Enchanted,' 'Hop,' 'X-Men' and 'Hairspray.' If a person could really get together, which will it be and why? I must see an 'Enchanted' follow up. That's most likely probably the most real and many spoken-about. I have had the fortune to do a couple of X-Males sequels. Nevertheless, I'd welcome that too. And Hairspray would certainly be considered a party along with a blast. 'Straw Dogs' is within theaters on Sept. 16. Photos thanks to The new sony Pictures.
Employment by minority directors in episodic TV dropped slightly last season, according to the DGA's just-released report on TV employment for women and minorities. The DGA's tally shows that white males directed 77% of all TV episodes that aired during the 2010-11 season, based on a survey of more than 170 scripted series. That's up from 75% in the 2009-10 season. Employment for white female directors held steady from season to season at 11%. But minority male and femme helmers saw slight declines, from 12% to 11% for minority males and from 2% to 1% for minority femmes. DGA officials said the stats indicate an urgent need for networks and studios to be more aggressive in fostering diversity behind the camera. "It's not enough to just give lip service to the idea of increasing diversity behind the camera," said Paris Barclay, the DGA's first VP and co-chair of its national diversity task force. "These programs are so far failing to live up to their promise. So we're going to take the discussion straight to the people on each show who make the hiring decisions." Contact Variety Staff at firstname.lastname@example.org
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Michael Winterbottom makes so many movies that some of them creep into festivals very quietly and, just as quietly, creep out, never to be seen again. That wasn’t the case with The Trip, which played here last year, a woolly exploration of middle-aged angst that featured Steve Coogan and Rob Brydon (as themselves) bickering and trading Sean Connery impersonations as they made their way through the English countryside. But two years before that, in 2008, Winterbottom brought a picture called Genova to the festival, a mildly engaging drama in which Colin Firth plays a father who moves his family to Italy after the death of their mother. The picture never got a U.S. release, fading like the worn face of a stone saint on a medieval church. I hope American audiences get to see Trishna, Winterbottom’s take on Thomas Hardy’s Tess of the d’Urbervilles set in contemporary India. Freida Pinto is Trishna, the Tess character, who comes from an impoverished family living in a small village. Jay (Riz Ahmed), is her Angel/Alec (Hardy purists should be warned that the two characters have been condensed into one), a man who sweeps her away from her life of poverty, only to end up resenting and degrading her. Even if Winterbottom has taken what some might consider unforgivable liberties with the story, Trishna works: Winterbottom has a feel for the story’s landscape, including the hardscrabble beauty of the countryside, all yellow dust and scrubby trees. It’s both a place Trishna needs to escape from and it’s home — there’s no safety or freedom there, but it’s the only place she’s truly herself. Pinto gives a lovely performance here. No other role she’s been given — as the hero’s dream woman in Slumdog Millionaire, or as a Palestinian orphan girl in Julian Schnabel’s deeply disappointing Miral — has asked as much of her, and she greets the challenge boldly. In the barest terms of the plot, Trishna is a victim, a tragic heroine, but Pinto always lets you see the character’s immovable self-assurance shimmering beneath the surface — that’s the very thing that threatens her lover and tormentor, and brings about her downfall. In Winterbottom’s scenario, Jay’s sudden turn against Trishna isn’t believable or readable in movie terms — his love for her appears to be operated by a switch that turns off abruptly without cause or reason — but it makes sense in the grander scheme of the impossibility of love. The dialogue here is mostly improvised — this is a casual, hip-pocket approach to a revered classic — but Winterbottom keeps the story moving deftly. We might appreciate Winterbottom more if he worked less, but he’s unlike any other filmmaker on the landscape, trying something new just about every year. Some of it sticks and some of it doesn’t. But almost always, he gives us something worth looking at. This is my last morning in Toronto, and even though I’ve seen plenty here, the ghosts of all the films I’ve missed are already starting to haunt me. Then there are the ones I saw and simply didn’t have time to write about, like Malgorzata Szumowska’s Elles, in which Juliette Binoche plays an upper-class French journalist whose investigation of the lives of two young prostitutes triggers more awareness of the cracks in her own life. Szumowska can’t quite make the contrast work, but Binoche is typically wonderful here — her scenes with the young women are pure pleasure to watch. Also noteworthy is Urbanized (pictured above), the third documentary by Gary Hustwit, following Helvetica, a study of the much-used and much-loved typeface, and Objectified, which explores the design behind the objects we use everyday (like, for example, the MacBook I’m using right now). Full disclosure: Hustwit is a friend. But his fleet, concise documentary about urban planning and the lives of cities — you could call it an unspoken love letter to the spirit of Jane Jacobs — is the kind of picture that opens your eyes to all kinds of details that slip past us city dwellers every day. And with that, I bid Toronto adieu. I’ve had a terrific week, seeing movies and getting jacked on Coffee Crisps (which, next to English Kit-Kats, may be God’s perfect candy). I always miss this city and its festival when I leave, but I happily look forward to returning next year. And so until then, goodbye, Toronto.
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Tuesday, September 13, 2011
FIRST PUBLISHED: September 13, 2011 9:06 PM EDT LOS ANGELES, Calif. -- The executors of Michael Jacksons estate say they will distribute $30 million to the Jackson Family Trust for the benefit of the singers mother, his two children and charities under the terms of Jacksons will. The executors said in documents filed Tuesday that since Jacksons death in June 2009, the estate has generated more than $310 million, enabling them to pay off dozens of debtor claims and refinance loans at lower interest rates. They also disclosed that Katherine Jackson wants to sell the familys famous compound in Encino and find a new residence for her and the children. The family has been living in a temporary home in Calabasas while the Encino property was being refurbished. A hearing for a judges approval of the plan is set for Sept. 28. Copyright 2011 by Associated Press. All rights reserved.This material may not be published, broadcast, rewritten or redistributed.
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Monday, September 12, 2011
Sasha Alexander and Angie Harmon MONDAYIt's not quite time to say goodbye for good to TNT's signature hit The Closer, which will return in November with new episodes, then finish out its run with a batch of episodes next summer. Tonight's "summer finale" (9/8c) is a potentially pivotal one, as Brenda awaits a judge's decision about whether to drop the charges in the civil suit that has been hanging over her and the department all season. The shooting death of a deputy sheriff provides some distraction. ... The popular, but by comparison often inane, companion piece Rizzoli & Isles (10/9c) ends its summer run with the return of arch-fiend Charles Hoyt (the slithery Michael Massee), who says he has info on a jailhouse murder. Both will be back Nov. 28.Lots of other summer finales on tap, mostly in the reality realm, including ABC's insipid Bachelor Pad (8/7c), which somehow takes three entire hours to announce its winners, while also officially introducing recent dump-ee Ben Flajnik as the next Bachelor (due in January). ... As HGTV Design Star wraps (9/8c), either Meg or Karl will win their own show, depending on whose concept and pilot comes off best. Either would be a good fit.Want more fall TV news? Subscribe to TV Guide Magazine now!Burning the metaphorical TV candle at both ends, CNN wunderkind Anderson Cooper tries daytime on for size, as Anderson (syndicated, check local listings) premieres with what the industry calls a "get" - an interview with the late Amy Winehouse's parents and boyfriend. ... On a less serious note, MTV launches a likeably irreverent new daytime game show, The Substitute (4:30/3:30c), in which comic Jon Gabrus takes over a classroom and pits the students against each other to answer trivia questions, with $5,000 and "extra credit" prizes at stake.What else is on? As an odd prelude to a week of premieres, the CW presents Gaga By Gaultier (8/7c), an interview special pairing designer Jean-Paul Gaultier with Lady Gaga in Paris. It's followed by a preview of the network's new and returning shows. ... Syfy stunt casting: It's a Caprica reunion on Warehouse 13 (9/8c) as Alessandra Torresani and Sasha Roiz (in a recurring role) guest. The former Cylon prototype plays a girl with violently destructive powers who turns to Claudia for help. Later, Star Trek: The Next Generation's Brent Spiner and Lost's Rebecca Mader show up on Alphas (10/9c). ... On ABC Family's The Lying Game (8/7c), not to be confused with Tuesday night's superior Ringer, it's homecoming, and Emma finds herself running for homecoming queen in twin Sutton's place. Is there anything that girl wasn't into? ... Bravo's ubiquitous Andy Cohen and Today's Natalie Morales co-host the 60th edition of The Miss Universe Pageant (9/8c) from Brazil.TUESDAYHere's how I described Sarah Michelle Gellar's return to TV, in the CW's Ringer (9/8c), in our Fall Preview issue: "The Buffy icon runs the gamut from scrappy underdog to glamorous ice queen in a twisted sister act that doubles as a juicy mystery. The complications keep mounting, putting the fan of deluxe romantic suspense through the what's-next wringer." Here's the set-up: Gellar plays long-estranged identical twins who reunite, and after the rich one suddenly vanishes, the poor one (an ex-stripper recovering alcoholic with a killer and the FBI on her tail) takes over her life, soon discovering the ritzy fast lane is just as deadly. More on this on Tuesday. An hour earlier, the fourth season of 90210 (8/7c) starts the brats on the road to life after high school. Haven't we been through this before.Your best bet for entertaining teen shenanigans is a new episode of MTV's delightfully raunchy Awkward (11:30/10:30c), built around Jenna's "Super Bittersweet Sixteen" birthday, which as usual brings new humiliation to our heroine's so-called life. We're still reeling from last week's calamity, when Jenna woke up to realize she'd made out (under many influences) with her BFF's boyfriend. Ouch.The night's highlight for history and celebrity buffs is undoubtedly ABC News' two-hour prime-time special Jacqueline Kennedy: In Her Own Words (9/8c), featuring newly released recordings the former first lady made shortly after JFK's death, reflecting on life in the White House and the tumultuous world events they faced. ... The highlight of the day for tabloid enthusiasts is Dr. Phil's two-part interview today and Wednesday (syndicated, check local listings) with George and Cindy Anthony, parents of the now-infamous Casey Anthony.What else is on? On a roll after last week's record-setting season opener, FX's Sons of Anarchy (10/9c) is at its best when confronting Jax's desire to leave the motorcycle club - prompting him to make a controversial deal with Clay that could tear SAMCRO apart - and at its worst in an action sequence that's preposterous even by this show's high-octane standards. ... NBC's Parenthood (10/9c) is back a week earlier than most network dramas, giving us time to catch up with Adam's jobless crisis among other subplots - some more satisfying than others (Sarah and Amber's mother-daughter clash on Sarah's 40th birthday being especially tiresome) - but there's a fun shout-out to another Jason Katims drama, and if Jason Ritter wants to stick around a while as the teacher still harboring a crush on Sarah, few will complain.WEDNESDAYHere are my Fall Preview takes on three new series premiering tonight.Two NBC comedies are getting a special launch at 10/9c, hoping for a boost from the two-hour finale of the relentlessly mediocre America's Got Talent (8/7c). (Next week, the comedies move to the earlier, and potentially deadly, hour of 8/7c.) First, and best, is Up All Night, featuring Christina Applegate and Will Arnett as exhausted new parents whose me-first lifestyles and bleep-worthy vocabularies aren't all that well suited for an infant. Maya Rudolph shines as Applegate's boss, whose character has been transformed since the original pilot into a neurotic daytime talk host, allowing the Saturday Night Live veteran to channel her delirious Oprah homage. My Fall Preview take from the earlier pilot (the new version's changes mostly involve the workplace and Rudolph's character): "This refreshingly grown-up twist on the comic anxieties of new parenthood is blessed with a fabulous cast - and what a treat to see Arnett drop the ironic detachment to play it real. Kudos to beefing up scene-stealer Rudolph's role. Baby, she's a hoot!"This is paired with Free Agents (10:30/9:30c) starring Hank Azaria and Kathryn Hahn as co-workers at a smarmy public-relations firm who engage in private relations, though they know they shouldn't. He's newly divorced, and her bedroom is a shrine to her dead fiancé. My Fall Preview take: "Toxic. The not-quite-romantic hero cries after sex. You may well cry after, or during, this anti-comedy about whiny, snappish neurotics sharing an unbearably smug workplace that's about as inviting as Chernobyl." NBC is re-airing both pilots on Thursday, Up at 8:30/7:30c (where it really ought to be airing in the fall) and Agents at 9:30/8:30c (which almost makes us miss Outsourced).And then there's the CW's H8R (as in, "hater"), a quasi-reality show in which host Mario Lopez aids the quasi-famous or infamous - like Snooki and the Kardashians - in ambushing their most virulent real-life detractors. You know, normal folk. The aim: to win them over, because wouldn't you know, these pop-culture punching bags aren't that bad. My take: "Hate to be a hater, but ... who am I kidding? The last thing TV needs is another insipid platform for overexposed celeb-reality 'stars' to reinforce their narcissism, this time at the expense of punk'd nobodies who were right to shun them in the first place. Pathetic."For those who've been following Damages on DirectTV this summer, the suspenseful wait is over, in a highly satisfying season finale (10.9c) that finds Patty and Ellen once again at odds in their conflicting desires to see justice done, while desperately trying to save the life of several pawns caught up in the murderous intrigues of corrupt defense contractor Howard Erickson (John Goodman) and his ruthless associate Jerry Boorman (Dylan Baker). The twists and reveals come at a furious pace, and one of the best is saved for the very end.What else is on? A big night for reality fans, as CBS' Survivor: South Pacific (8/7c) kicks off a 23rd season, bringing back two veteran players, "Coach" and Ozzy. It's a 90-minute premiere, followed by the 90-minute finale of summer time-waster Big Brother (9:30/8:30c). ... Familiar faces are also in order on an "all-star" season of the CW's America's Next Top Model (8/7c), the first cycle entirely populated by past contestants. ... Bravo's Top Chef: Just Desserts (10/9c) wallows in Willy Wonka nostalgia as cast members of the original movie (the Gene Wilder version) help judge the edible room the chef-testants create. ... USA Network's summer of hits comes to a close with the first-season finale of Necessary Roughness (10/9c), with Terrell Owens guest-starring as TK's greatest rival as the Hawks head into the playoffs. I'm wondering if in the future, this show might not be better off airing during the actual football season.THURSDAYMy Fall Preview take on the CW's The Secret Circle (9/8c): "Abracadabra, the CW has conjured a clone. Hold your applause. The magic is missing in this less-than-spellbinding brew of recycled supernatural teen angst, which so far lacks the self-aware wit and breakneck pacing of the fang-tastic Vampire Diaries. Hurry, witches, clone a Damon!" I understand the desire to create compatible companion pieces, but this generic saga of teenage witches (starring Life Unexpected's Britt Robertson and the TV Terminator's Thomas Dekker) is both too much and too little.In happier news, The Vampire Diaries (8/7c) begins its third season with Elena spending her 18th birthday fretting over Stefan's whereabouts, while Bad Stefan and the evil Klaus busy themselves tracking a werewolf played by David Gallagher, who's about as far as one can get from 7th Heaven territory.Looking for intentional laughs? FX obliges by pairing the seventh-season opener of cult fave It's Always Sunny in Philadelphia (10/9c) with the first of several special original episodes of animated riot Archer (10:30/9:30c), which is my favorite FX comedy next to Louie. On Sunny, the gang gives an image makeover to the "pretty woman" Frank intends to make his prostitute bride. On Archer, Rip Riley (voice of Patrick Warburton) tries to bring our hapless secret agent back to ISIS. Good times.Subscribe to TV Guide Magazine now!
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Saturday, September 10, 2011
She's on for that indie comedyFirst murder, now sex... It appears that Abigail Breslin is searching to create her teenage motion picture years time that they well and truly breaks from the good girl mould. Her latest effort for the reason that direction? Signing onto Janet Schacter's indie comedy A Virgin Mary. Schacter authored and can direct the film, which finds Breslin as teen Mary, who constitutes a pact together with her best male friend (Carter Jenkins) that they may have sexual intercourse if they are both still virgins when they hit their 18th birthday celebrations. The happy couple is starring alongside Akeelah and also the Bee's Keke Palmer and Spy Kids veteran Daryl Sabara. Schacter aims to start shooting early the coming year. Before she reviews towards the set, Breslin will star in true crime indie The Category Project, which finds her among two siblings who finalise to off their abusive, booze-happy mother. She gets music drama Janie Johnson next out there for release, then an apearance within the sprawling acting ensemble of recent Year's Eve.
An Alliance Films (in Canada) relieve a PT Merantau Films/Abc Films/Celluloid Bad dreams or nightmares presentation. (Worldwide sales: Celluloid Bad dreams or nightmares, Paris/La.) Produced by Ario Sagantoro. Executive producers, R. Maya Barack-Evans, Irwan D. Mussry, Nate Bolotin, Todd Brown. Directed, written, edited by Gareth Huw Evans.With: Iko Uwais, Joe Taslim. Doni Alamsyah, Yayan Ruhian, Pierre Gruno, Tegar Satrya, Ray Sahetapy.The best credits roll, listing figures for instance "Hole Drop Attacker" and "Machete Gang Member," only shows the quantity of mayhem in Gareth Huw Evans' "The Raid." Indeed, moviegoers may want the projectionist could replay a couple of from the spectacular sequences in this incredible and very violent cop-versus.-gangster fight-athon, in which a SWAT-like unit invades a 15-story building and requires to reach the very best, floor by floor, to produce lower the theif. While using genre with a better intensity, the Welsh-born Evans continues what he started previously Indonesia-set actioner "Merantau," but this pic will seal his cult status. As efficient becasue it is title signifies, "The Raid" supplies a continuous sequence of action getting a apparent and effective premise: If police can get through to the top floor, there's a chance to create lower major drug kingpin Tama (Ray Sahetapy). Further further complicating matters is the fact that many cops inside the unit are unskilled inside the model of intense urban combat needed here, which their corrupt boss, Lt. Wahyu (Pierre Gruno), may compromise the entire operation. That's about as much plot since the movie is worried with, or needs. Hard-ass cop Rama (Iko Uwais, "Merantau," in the star-making role) is sparkling neat and tenacious just like a bulldozer. Inside a couple of minutes of silently penetrating the building's interior (the end result increased by total silence about the soundtrack that otherwise provides huge punches of pure, sonic energy), Rama's males fit in with assault by Tama's smartly placed models, including prepubescent spotters and endless supplies of dudes with heavy machine guns. Tama observes everything about the large bank of monitors within the control room, aided by his callous henchmen Andi (Doni Alamsyah) and Mad Dog (Yayan Ruhian). Tama may also be capable of deliver messages inside the building's PA system, to make sure that everyone can hear his message, "We've site site visitors." It's the signal for individuals-out war. The ensuing one hour half an hour are largely a hands-to-hands, fist-to-face, ft-to-groin fight, getting a few machetes and guns tossed in permanently measure. Pic handles to create the sensation of the kind of live-action ride, where Evans as conductor modulates a tight schedule up and lower of action, and alternates pace and volume, with selected interludes of story capture an individual's breath. It makes sense exhilarating for audiences open to the sheer visceral sensation in the physical experience, regardless of an individual's predilection toward fight photos. Still, there's ample close-up, flesh-ripping violence to produce even hardened audiences wince. The pic's combat style, silat, is certainly an Indonesian martial-arts form this can be a more brawling kind of fighting than more broadly known styles. Consider it the Nfl overpowering kung fu, but a good deal nastier, while using action getting wilder the flooring -- as well as the casualties in Rama's forces -- mount. You can neglect the story altogether inside the sheer hurry of Rama's fight up floor rather, audiences will question how a amazing fight that merely ended might be assigned. But it is, again and again. A five-minute fight which has flying, getting upset parts of the body particularly shows the elegance inside the fight choreography by Evans, Uwais and Ruhian. Greater than most martial-arts photos, "The Raid" recalls the dwelling from the movie musical, in which a simple story bridges the amounts and sequences. Ultimately, there's enough to one of the pic's side tales (including brothers and sisters on opposite sides in the fight) that, attracted together with righting the wrong of political corruption, allows products to complete about the considerably satisfying note. Moti D. Setyanto's terrific production design signifies within your building just like a perpetual maze, both up and lower and flat. It is not surprising the project needed two lensers (Matt Flannery and Dimas Imam Subhono), since the camera frequently appears to disregard gravity in the pursuit to obtain fresh angles concerning the fight. Technically, the pic's in the league alone among Indonesian films. Following this pic's first Toronto screening, producers introduced the soundtrack will probably be entirely modified by Mike Shinoda of Linkin Park. Even though it will prove to add a commercial kick for the film, it'll appear curious thinking about the brilliant soundtrack displayed within the screening examined.Camera (color), Matt Flannery, Dimas Imam Subhono music, Fajar Yuskemal, Aria Prayogi production designer, Moti D. Setyanto costume designer, Upay Maryani appear (Dolby Digital), Suhadi Yuskemal, Prayogi, Bonar Abraham, Sandika Widjaja appear designers, Yuskemal, Prayogi re-recording mixers, Yuskemal, Aria Prayogi, Abraham, Widjaja, Jack Arthur Simanjuntak effects makeup, Jerry Octavianus stunt organizers, Yandi "Piranha" Sutisna, Eka "Piranha" Rahmadia, Esa W. Sie, Rama Ramadhan fighting styles choreographers, Iko Uwais, Yayan Ruhian action choreographer, Evans line producer, Daiwanne P. Ralie assistant company company directors, Dondy Adrian Senjaya, Mus Danang Danar Dono, Imam Dharmawan Santoso, Ginanti Rona Tembang Asri. Examined at Toronto Film Festival (Evening time Madness), Sept. 8, 2011. (Also in Sitges, Pusan film festivals.) Running time: 101 MIN. Contact the number newsroom at email@example.com
Tuesday, September 6, 2011
A reporter from a small regional newspaper investigates a waste dump in which the military have been testing Infectious Diseases, it's not long before the Zombies are free and Killing, George phones the reporter to tell him about a blast seen from the closed off woods, the reporter who is not far from the woods investigates the military cover-up it's not long before the zombies and the military are trying the kill each other.